The world teaches us history as if it’s over, but what if we learned history as if it were now? What if we realized that the fight that they were fighting all those years ago is the same one we’re fighting today?
The Last Bloodcarver Is honest and sincere in the details that remind you that the author understands. It’s in the details, in the comments, in the insecurities, in the yearning. This story is told through a lens of diaspora, and in the same way that Nhika finds home in her magic and knowledge, to me, The Last Bloodcarver feels like a glimpse of home.
with Jasmine Walls and Teo DuVall
In an alternate 1930’s Mississippi where magic exists, the state laws restrict who can use it and how it should be done. Unsatisfied with the way things are, six young women push back against these oppressive laws by participating in illegal broom races to earn money for better lives.
with Cindy Fazzi
Cindy Fazzi and Amanda chat about Cindy’s new novel, Multo, the US Immigration system, and being unwelcome in your own country and by your own family.
with MultiMind
A spotlight on the upcoming dark fantasy novel The Glassman by MultiMind plus an exclusive interview with the author.
by Lilly Lu
Writers Lilly Lu and Claire Stanford chat about their experience writing both fiction and academic writing, especially highlighting the similarities and what they’ve learned doing both.
by Lena Jeong
Author Lena Jeong beautifully discusses the stereotypes that Asian women often face in media and how they’re damaging. And how they’ve affected her career.
by Inosh K. Rukman
Writer Inosh K. Rukman shares all the South Asian science fiction and fantasy stories coming out in 2023 complete with stunning reviews for each book.
Hoàng thoughtfully explores toxic masculinity and how easy it is to fall into harmful behavior, especially when you feel like you don’t belong.