with Wen-yi Lee
The Dark We Know is a vulnerable and raw YA horror about living on with the memories of those you’ve known and loved. Today the author Wen-yi Lee joins us to talk about it.
with Keshe Chow
Debut author Keshe Chow talks about the process and considerations for writing mythology elements in her debut novel The Girl with No Reflection.
with Rukman Ragas
Writer Rukman Ragas joins us to share their experiences and tips about writing in English outside of the Imperial Core.
with Cassiopeia Gatmaitan
Art gives us the unique opportunity to process in brand new ways. Today we’re talking about processing trauma through writing horror.
with Sujin Witherspoon
Debut author Sujin Witherspoon makes a compelling argument that using tropes & cliches in our writing encourages us to flex our creative thinking.
with Nicholas Perez
What is sword and sorcery? Nicholas Perez joins us to tell us about the genre and most importantly, recommend many brilliant books within the genre.
with Eve J. Chung
Eve J. Chung, author of Daughters of Shandong, joins Bookish Brews to talk about realizing her childhood dream of writing novels and how stories can help us push for a positive change in the world. And most importantly, how she got into writing again after drifting away from it for so long.
with Van Hoang
Author Van Hoang joins Bookish Brews to talk about 1950’s Los Angeles, where her novel The Monstrous Misses Mai takes place, and doing research for fiction writing. Most importantly, we talk about what an incredible resource libraries can be for all types of research. Plus, a big nod to dresses with pockets and the history of women’s fashion.
by Saniya Ghalehdar
In a time of a heightened fight for civil rights yet again, Saniya Ghalehdar draws parallels between the loss of women’s rights in the United States and the loss of women’s rights in Iran in the 1970’s and 1980’s. Ghalehdar brilliantly emphasizes the immense need to fight back now through the eerie parallels between our two states.